oil on canvas
70.00 in. (177.80 cm.) (height) by 80.00 in. (203.20 cm.) (width)
signed 'de Kooning' (on the reverse)
New York, Xavier Fourcade, De Kooning: New Paintings, 1977, October-November 1977. Bucharest, Cluj and Brasov, The Artist at Work in America, organized by the International Communications Agency, May-August 1979. Embassy of the United States, Copenhagen, organized by Art In Embassies, 1981 (on loan). London, Tate Gallery, April 1992-March 1994 (on loan). London, Tate Gallery, New Displays 1992, February 1992-February 1993, no. 25. Kunstmuseum Basel, De Kooning: Paintings, 1960-1980, September 2005-January 2006, pp. 114-115, no. 23 (illustrated in color). New York, Museum of Modern Art, De Kooning: A Retrospective, September 2011-January 2012, p. 432, no. 176 (illustrated in color).
D. Y. Ho and R. M. Sapolsky, "Gene Therapy for the Nervous System," Scientific American, June 1997, p. 120 (illustrated in color). "Tate Report: Tate Gallery Biennial Report," 1992-1994, p. 89. "The ARTnews 200 Top Collectors," ARTnews, summer 2007, p. 158 (illustrated in color). S. Yard, Willem de Kooning: Works, Writings and Interviews, Barcelona, 2007, pp. 118-119 (illustrated in color). J. Chung, "The Museum Downstairs," Wall Street Journal, 11 September 2009, p. W10 (illustrated in color). J. Saltz, "Definitive: At MoMA, the Full, Amazing, Ever-Evolving, Never-Retreating Story of Willem de Kooning," New York Magazine, 26 September 2011, p. 74 (illustrated in color).
The Willem de Kooning Estate, New York. Acquired from the above by the present owner, 1997.