LOT DETAILS

Materials:

installation

Size Notes:

dimensions variable

Description:

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Exhibited:

Stockholm, Galleri Andreas Brändström, Exorcism of the Last Painting I Ever Made, 1996.London, South London Gallery, I Need Art Like I Need God: Tracey Emin, 1997 (installation view, 'Naked Photos: Life Model Goes Mad 1996' illustrated in color, pp. 38-39 and on the cover).Cologne, Kölnsicher Kunstverein, Ca-Ca Poo-Poo, 1997-1998.Amsterdam, Stedelijk Museum, Ten Years, Tracey Emin, 2002.Edinburgh, Scottish National Gallery of Modern Art, Tracey Emin: 20 Years, 2008 (installation view, 'Naked Photos: Life Model Goes Mad 1996' illustrated in color, nos. 23-25, installation view, 'Exorcism of the Last Painting I Ever Made 1996' illustrated in color, no. 26). This exhibition later travelled to Malaga, Centro de Arte Contemporáneo and Bern, Kunstmuseum.

Literature:

B. Riemschneider and U. Grosenick (eds.), Art at the Turn of the Millennium, Cologne 1999 (Cologne version of the installation illustrated in color, p. 149).T. Warr (ed.), The Artists's Body, London 2000, p. 68 (installation view illustrated in color, p. 69 and on the cover). Saatchi Gallery (ed.), 100: The Work that Changed British Art, London 2003, p. 209, no. 43 (illustrated in color, p. 99).H. Luard and P. Miles, Tracey Emin, London 2006, p. 220 and 413 (installation view, 'Exorcism of the Last Painting I Ever Made 1996' illustrated in color, pp. 221-224). N. Brown, TE Tracey Emin, London 2006, p. 88 (installation view, 'Naked Photos: Life Model Goes Mad 1996' (illustrated in color, p. 89). Love is What You Want, exh. cat., Hayward Gallery, London 2011, p. 248 (installation view, 'Exorcism of the Last Painting I Ever Made' illustrated in color, p. 248).

Provenance:

Galleri Andreas Brändström, Stockholm. Anon. sale, Christie's, London, 8 February 2001, lot 30. Acquired at the above sale by the present owner.