LOT DETAILS

Materials:

oil on panel

Measurements:

17.72 in. (45.00 cm.) (height) by 21.65 in. (55.00 cm.) (width)

Exhibited:

Nuremberg, Germanisches Nationalmuseum,. Sammlung Heinz Kisters , 25 June - 15 September 1963, no. 60 (as Zeitblom);. Bregenz, Künstlerhaus, Palais Thurn und Taxis,. Meisterwerke der Malerei aus Privatsammlungen im . Bodenseegebiet , 1 July - 30 September 1965, no. 124 (as Zeitblom);. Ulm Museum, on loan, 1981-1989. 1

Literature:

and Art, in. Renaissance and reformation , vol. 10, no. 1, February 1986, p. 30, reproduced p. 29, fig. 2 (as Zeitblom);. R. Baldwin, A window from the song of songs in conjugal portraits by Fra Filippo Lippi and Bartholomäus Zeitblom, in. Source: Notes in the History of Art , vol. 5, no. 2, Winter 1986, p. 7, reproduced p. 9, fig. 2 (as Zeitblom);. P. Kathke,. Porträt & Accessoire. Eine Bildnisform im 16. Jahrhundert , Berlin 1997, p. 148, cat. no. p. 342, reproduced in black and white fig. 100, (as Zeitblom. c . 1505);. D. Bosch,. Bartholomäus Zeitblom. Das künstlerische Werk. Forschungen zur Geschichte der Stadt Ulm , Stadtarchiv, Ulm, vol. 30, Stuttgart 1999, p. 329, no. 3 (as not by Zeitblom);. D.M. Woodall,. Sharing space: double portraiture in Renaissance Italy, PhD thesis. , Cleveland 2008, p. 141, reproduced p. 581, reproduced in black and white fig. 2.47 (as Upper Swabian Master). .; . . E. Buchner,. Das deutsche Bildnis der Spätgotik und der frühen Dürerzeit , Berlin 1953, pp. 182-83, cat. no. 207, and p. 221, reproduced pl. 207 (as Upper Swabian master, dating to the beginning of the 16th century, as circle of Bernard Striegel);. A. Stange,. Deutsche Malerei der Gotik VIII , Munich-Berlin 1957, p. 30, reproduced in black and white fig. 56, (as Zeitblom, mature work. c . 1505);. . Sammlung Heinz Kisters , exh. cat., Nürnberg 1963, p. 12, cat. no. 60, reproduced in black and white p. 41 (as Zeitblom);. G. Wilhelm et. al.,. Meisterwerke der Malerei aus Privatsammlungen im . Bodenseegebiet , exh. cat., Bregenz 1965, cat. no. 124, reproduced in black and white fig. 5, (as Zeitblom);. E. Treu,. Ulmer Museum. Kat. I. Bildhauerei und Malerei vom 13. Jh. bis 1800 , Ulm 1981, p. 155, cat. no. 104, reproduced in colour (as Zeitblom,. c . 1505);. R. Baldwin, Gates Pure and Shining and Serene: Mutual Gazing as an Amatroy Motif in Western; . . E. Buchner,. Das deutsche Bildnis der Spätgotik und der frühen Dürerzeit , Berlin 1953, pp. 182-83, cat. no. 207, and p. 221, reproduced pl. 207 (as Upper Swabian master, dating to the beginning of the 16th century, as circle of Bernard Striegel);. A. Stange,. Deutsche Malerei der Gotik VIII , Munich-Berlin 1957, p. 30, reproduced in black and white fig. 56, (as Zeitblom, mature work. c . 1505);. . Sammlung Heinz Kisters , exh. cat., Nürnberg 1963, p. 12, cat. no. 60, reproduced in black and white p. 41 (as Zeitblom);. G. Wilhelm et. al.,. Meisterwerke der Malerei aus Privatsammlungen im . Bodenseegebiet , exh. cat., Bregenz 1965, cat. no. 124, reproduced in black and white fig. 5, (as Zeitblom);. E. Treu,. Ulmer Museum. Kat. I. Bildhauerei und Malerei vom 13. Jh. bis 1800 , Ulm 1981, p. 155, cat. no. 104, reproduced in colour (as Zeitblom,. c . 1505);. R. Baldwin, Gates Pure and Shining and Serene: Mutual Gazing as an Amatroy Motif in Western

Provenance:

Art market, Munich, 1936 (according to Buchner 1953);. Heinz Kisters (1912-1977), Kreuzlingen, Switzerland, by 1963;. Thence by descent