LOT DETAILS
Materials:
neon, Perspex, translucent film and aluminum
Size Notes:
290 x 6
Description:
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Exhibited:
London, fa Projects,Hell, Yes!,August-September 2001 (the present work); New York, New Museum, Ugo Rondinone: Hell, Yes!, December 2007-November 2010 (another edition)
Literature:
Exh. Cat., London, Whitechapel Gallery, Ugo Rondinone:Zero Built A NestIn My Navel, 2005, pp. 152-153, illustrated in color (in installation at fa Projects); Francesco Bonami, Julie Rodrigues Wildholm & Tricia van Eck, Universal Experience: Art, Life and the Tourists Eye, Chicago 2005, p. 207 (text); Michael Wilson, 'London: Ugo Rondinone,' Artforum, January 2006, illustrated in color (in installation at FA Projects) (online); Exh. Cat., Kunstmuseum Wolfsburg, Precision and Madness: Swiss Art from Hodler to Hirschhorn, 2007, p. 177 (text); Marina Cashdan, 'Hell, Yes! The New Museum of Contemporary Art,' Haute Living, 2 January 2008, illustrated in color (in installation at New Museum) (online) (another edition); Julieanna Preston, Interior Atmospheres, Chichester 2008, p. 101 (text); Sarah Lowndes, Social Sculpture: The Rise of the Glasgow Art Scene, Glasgow 2010, p. 336 (text)(edition no. unknown); Jen Carlson, 'Hell, No: Hell, Yes Sign To Come Down,' Gothamist, 26 October 2010, n.p., illustrated in color (in installation at New Museum) (online) (another edition); Ann Fensterstock,Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond, New York 2013, p. 229 (text) (another edition); Cher Krause Knight & Harriet Senie, eds., Museums and Public Art?, Newcastle upon Tyne 2018, p. 109 (text)(another edition);
Provenance:
Sadie Coles HQ, London; Acquired from the above in June 2001 by the present owner