LOT DETAILS

Materials:

oil on panel

Size Notes:

diameter

Description:

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Literature:

J.A. Crowe and G.B. Cavalcaselle, A History of Painting in Italy. Umbria, Florence and Siena. From the Second to the Sixteenth Century, London, 1911, L. Douglas (ed.), IV, p. 290, as ‘Filippino Lippi’. R. van Marle, The Development of the Italian Schools of Painting, The Hague 1931, XII, pp. 341-2, as ‘Filippino Lippi’. H. Bodmer, ‘Der Spatsil des Filippino Lippi’, Pantheon, X, 1932, pp. 354-5, illustrated, as ‘Filippino Lippi’. A. Scharf, Filippino Lippi, Vienna, 1935, pp. 116-7, no. 139 , illustrated, as ‘Workshop of Filippino Lippi’. K.B. Neilson, Filippino Lippi. A Critical Study, Cambridge, Massachusetts, 1938, pp. 141-2, as ‘Workshop of Filippino Lippi’. J.K. Nelson, ‘The Later Works of Filippino Lippi from his Roman Sojourn until his Death (ca. 1489-1504)’, Ph.D. dissertation, Institute of Fine Arts, New York University, New York, 1992, p. 275. J.K. Nelson, Da Ambrogio Lorenzetti a Sandro Botticelli, exhibition catalogue, Galleria Moretti, Florence, 2003, pp. 208-13. J.K. Nelson and L. Waldman, ‘La questione dei dipinti postumi di Filippino: Fra Girolamo da Brescia, il ‘Maestro di Memphis’ e la pala d’altare a Fabbrica di Peccioli’, in F. Falletti and J.K. Nelson (eds.), Filippino Lippi e Pietro Perugino: La Deposizione della Santissima Annunziata e il suo restauro, exhibition catalogue, Florence, 2004, p. 129, fig. 11. P. Zambrano and J. K. Nelson, Filippino Lippi, Milan, 2004, p. 609, no. R26. M. Pia Mannini, Filippino Lippi. Un bellissimo ingegno, Florence, 2004, p. 51, no. 12.

Provenance:

Casa Pucci, Florence, by 1911. with Galerie Matthiesen, Berlin, 1928. R.A. Kinnersley. Anonymous sale; Sotheby’s, London, 28 November 1962, lot 171, as ‘Raffaellino del Colle’. with Sabin Gallery, London. with Frascione, Florence, January 1968. Art market, Milan, by 1974. Private collection, Rome, by 1991. with Fine Art Paintings LLC, Delaware, where acquired by the present owners in 2006.