LOT DETAILS
										
										
											Materials:
										
											Oil on canvas
											
										
										
											
											
												
													Measurements:
												
												
													12.50 in. (31.75 cm.) (height) by 15.45 in. (39.25 cm.) (width)
												
											
										
										
	
										
										
										
												
												
													
												
											
	
										
										
											
												Markings:
											
											
												Signed Stuart Davis (lower right)
											
										
	
										
	
										
											
												Exhibited:
											
											
												New York, The Downtown Gallery,.  Americans Abroad: Exhibition by Eight Americans Summering Abroad-Watercolors, Paintings, Drawings, Lithographs , 1929.  .  New York, The Downtown Gallery,.  Hotels and Cafés: Exhibition of Recent Paintings by Stuart Davis , 1930, no. 1.  .  Valentine (Dudensing) Gallery, New York, 1930.  .  Philadelphia, Crillon Galleries, Inc.,.  Stuart Davis , 1931, no. 18.  .  New York, World House Galleries,.  The Struggle for New Form: Loan Exhibition for the Benefit of the Just One Break, Inc.,  1957, no. 93.  .  Waltham, Massachusetts, Rose Art Museum, Brandeis University,.  American Modernism: The First Wave: Paintings from 1903 to 1933 , 1963, no. 5.  .  Washington, D.C., National Collection of Fine Arts; Chicago, Art Institute of Chicago; New York, Whitney Museum of American Art & Los Angeles, The Art Galleries of the University of California at Los Angeles,.  Stuart Davis Memorial Exhibition, 1894-1964 , 1965, no. 41, illustrated in the catalogue.  .  New York, Andrew Crispo Gallery,.  Pioneers of American Abstraction , 1973, no. 23, illustrated in the catalogue.  .  New York, Andrew Crispo Gallery,.  The Development of Pop Art in America: Stuart Davis to Andy Warhol and Roy Lichtenstein , 1974, no. 10.  .  New York, Andrew Crispo Gallery,.  Twentieth-Century European and American Masters , 1974, no. 24.  .  New York, Andrew Crispo Gallery,.  Twentieth-Century American Artists , 1975.  .  New York, Andrew Crispo Gallery,.  Paris/New York, 1910-1930s: The Influences of Paris on New York and American Artists in the Twentieth Century , 1977, no. 16.  .  Brooklyn, The Brooklyn Museum & Cambridge, Fogg Art Museum, Harvard University,.  Stuart Davis: Art and Art Theory , 1978, no. 108, illustrated in the catalogue.  .  New York, Washburn Gallery,.  American Artists Abroad 1900-1950 , 1982, illustrated in the catalogue.          .  Manitowoc, Wisconsin, Rahr-West Museum; Evanston, Illinois, Terra Museum of American Art & St. Paul, Minnesota Museum of Art,.  Stuart Davis: The Formative Years, 1910-1930 , 1983, no. 23, illustrated in the catalogue.  .  New York, Andrew Crispo Gallery,.  American Masters of the Twentieth Century , 1985, no. 18.  New York, Whitney Museum of American Art at Philip Morris,  Stuart Davis: An American in Paris , 1987, illustrated in the catalogue  New York, The Metropolitan Museum of American Art & San Francisco, San Francisco Museum of Modern Art,  Stuart Davis, American Painter , 1991-92, no. 79, illustrated in color in the catalogue  Venice, Peggy Guggenheim Collection,  Stuart Davis , 1997, no. 26, illustrated in color in the catalogue  New York, Whitney Museum of American Art & Washington, D.C., National Gallery of Art,  Stuart Davis: In Full Swing , 2016-17
											
										
	
										
											
												Literature:
											
											
												Elisabeth Luther Cary, 'Americans Abroad' Hold Annual Homecoming Party in.  The  .  New York Times , October 13, 1929, p. 12 (titled.  Rue Litt ).  .  Weldon Bailey, Exhibition of Paintings by Stuart Davis Seen in Crillon Galleries in.  Philadelphia Record , December 13, 1931, p. 8.  .  H. Bonte, In Gallery and Studio: Stuart Davis Holding a One Man Show at the Crillon Galleries in .  Philadelphia Inquirer , December 13, 1931, p. 5.  .  Michel-Louis Cosnil, Rétrospective au Musée d'Art Moderne: Stuart Davis in.  Informations & Documents , no. 225, March 1, 1966, p. 43.  .  Patterson Sims,.  Introduction to 20 th  Century American Art: Selections from the Permanent Collection  (exhibition catalogue), Whitney Museum of American Art, New York, 1978, n.p.  .  Patterson Sims,.  Stuart Davis: A Concentration of Works from the Permanent Collection of the Whitney Museum of American Art  (exhibition catalogue), Whitney Museum of American Art, New York, 1980, illustrated p. 28.  .  Patterson Sims, .  20 th  Century American Art: Highlights from the Permanent Collection  (exhibition catalogue), Whitney Museum of American Art, New York, 1981, n.p.  .  .  Léger et l'ésprit modern: Une Alternative d'avant-garde à l'art non-objetif (1918-1931)  (exhibition catalogue), Musée d'art moderne de la ville de Paris, Paris, 1982, illustrated p. 181.  .  Lewis Kachur Stuart Davis and Bob Brown:.  The Masses  to.  The Paris Bit  in.  Arts Magazine , vol. 57, no. 2, October 1982, illustrated in color p. 71.  .  Margit Weinberg-Staber, Moderne Maler Erleben die Stadt in.  Du Die Kunst-zeitschrift , November 1982, illustrated in color pp. 32-33.  .  Patterson Sims,.  Whitney Museum of American Art: Selected works from the Permanent Collection  (exhibition catalogue), Whitney Museum of American Art, New York, 1985, p. 93.  .  Karen Wilkin, Stuart Davis in His Own Time in.  New Criterion , vol. 6, no. 5, January 1988, pp. 54-55.  .  Roberta Smith, Steadfast Crusader for Modernism in.  The New York Times , November 22, 1991, illustrated p. 32.  .  .  The Drawings of Stuart Davis: The Amazing Continuity  (exhibition catalogue), American Federation, New York, 1992, p. 41.  .  John Russell, An American Modernist, at Home and Abroad in.  The New York Times , February 2, 1992, illustrated p. 33.  .  William Wilson,.  Stuart Davis's Abstract Argot , San Francisco, 1993, illustrated p. XI & in color on the back cover.  .  .  Stuart Davis: Retrospective 1995  (exhibition catalogue), Koriyama City Museum of Art, Koriyama; The Museum of Modern Art, Shiga & Tokyo Metropolitan Teien Art Museums, Tokyo, 1995, illustrated p. 139.  .  Patricia Hills,.  Stuart Davis,  New York, 1996, illustrated p. 13 & in color pl. 6.  Wanda M. Corn,  The Great American Thing: Modern Art and National Identity, 1915-1935 , 1999, illustrated in color p. 348 Twentieth-Century American Art: The Ebsworth Collection  (exhibition catalogue), National Gallery of Art, Washington, D.C., 2000, illustrated p. 75 .  Michael Fitzgerald,  Picasso and American Art  (exhibition catalogue), Whitney Museum of American Art, New York, 2006, p. 176
											
										
	
										
											
												Provenance:
											
											
												Alfred Auerbach, New York (acquired.  circa  1933).  .  Downtown Gallery, New York (acquired by 1963).  .  Mr. & Mrs. Berry R. Peril, Rydal, Pennsylvania (acquired by 1965).  .  Merriewold West, Inc., Far Hills, New Jersey.  .  Mary Lea Johnson, New Jersey.  .  Andrew Crispo, New York (and sold: Sotheby's, New York, December 3, 1997, lot 153).  .  Acquired at the above sale