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Lot Details


Untitled (donkey) by 
																	Paola Pivi

Paola Pivi

( Italian, 1971 )

Untitled (donkey)

PRICE SOLD

LOT DETAILS

Materials:

photographic print

Measurements:

70.87 in. (180.00 cm.) (height) by 88.19 in. (224.00 cm.) (width)

Edition:

4 of 7

Description:

or LOG IN

Condition:

mounted on aluminum Dibond plate

Exhibited:

Paris, Galerie Perrotin, Paola Pivi, March-April 2003 (another example exhibited). Venice Biennale, 50th International Art Exhibition: Dreams and Conflicts - The Dictatorship of the Viewer , June-November 2003, pp. 288-289 (another version exhibited and illustrated in color). Rome, MACRO Museo d’Arte Contemporanea di Roma, Paola Pivi , September 2003-January 2004, pp. 40-41, 52-53 and 102 (another example exhibited and illustrated in color). Paris, Galerie Emmanuel Perrotin, Paola Pivi , March-April 2004 (another example exhibited). Providence, Brown University, Public Art: Paola Pivi , April-August 2004 (another version exhibited). Milan, Fondazione Nicola Trussardi, I Nuovi Mostri , February-March 2004, p. 16 (another version exhibited and illustrated in color on the back cover). Chicago, Museum of Contemporary Art, Universal Experience: Art, Life, and the Tourist’s Eye , February-June 2005, pp. 28 and 266 (illustrated in color)

Literature:

S. Rothkopf, L. Nochlin and T. Griffin, “Pictures of an Exhibition,” Artforum , September 2003, p. 175 (another version illustrated in color). S. Vendrame, “50. Biennale di Venezia,” Tema Celeste , no. 99, September-October 2003, p. 41 (another version illustrated). “Schauplatz Venedig,” Art: das Kunstmagazin , no. 8, August 2003 (another example illustrated in color on the cover). K. Johnson, “Eager Globe-Trotters Shrink the Art World,” New York Times , 29 April 2005, p. E34 (another version illustrated). G. de Gropello, Young Artists in Italy at the Turn of the Millennium , Milan 2005, p. 167 (another example illustrated in color). M. Gioni and J. Hoffmann, Paola Pivi , exh. cat., Galerie Perrotin, New York, 2013, pp. 44-47 (another example and another version illustrated in color)

Provenance:

Massimo de Carlo, Milan Acquired from the above by the present owner

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