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Lot Details


Zwei reiter am strand nach links (Two riders on the Beach to the Left) by 
																	Max Liebermann

Max Liebermann

( German, 1847 - 1935 )

Zwei reiter am strand nach links (Two riders on the Beach to the Left)

PRICE SOLD

LOT DETAILS

Materials:

oil on canvas

Measurements:

28.35 in. (72.00 cm.) (height) by 36.22 in. (92.00 cm.) (width)

Markings:

signed M. Liebermann and dated 1901 (lower right)

Exhibited:

Berlin, Ausstellungshaus der ‘Berliner Secession’, III. Ausstellung der Berliner Secession, 1901, no. 166, illustrated in the catalogue (titled Reiter am Strande) Frankfurt, Kunstsalon Hermes, 1901 Düsseldorf, Neuerbauten Dauernden Kunstausstellungsgebäude, Deutsch-National Kunst-Ausstellung, 1902, no. 633 Berlin, Paul Cassirer, VIII. Jahrgang, II. Ausstellung, 1905, no. 25 Berlin, Secession, Schwarz-Weiss-Ausstellung, 1906, no. 1872 Berlin, Ausstellungshaus am Kurfürstendamm, XIII. Ausstellung der Berliner Secession, 1907, no. 138 (titled Reiter am Meer) Berlin, Königliche Akademie der Künste, Max Liebermann. Ausstellung zum 70. Geburtstage des Künstlers, 1917, no. 126, illustrated in the catalogue Berlin, Preussische Akademie der Künste, Max Liebermann. Hundert Werke des Künstlers zu seinem 80. Geburtstage, 1927, no. 45 Hanover, Landesgalerie; Hamburg, Kunstverein; Düsseldorf, Kunstverein & Bremen, Kunsthalle, Max Liebermann, 1954, no. 42, illustrated in the catalogue Recklinghausen, Städtische Kunsthalle; Vienna & Berlin, Nationalgalerie, Berlin - Ort der Freiheit der Kunst, 1960, no. 13

Literature:

Hans Rosenhagen, ‘Die dritte Ausstellung der Berliner Secession', in Kunst für Alle, 1900-01, illustrated p. 473 Julius Norden, ‘Von den grossen Berliner Kunstausstellungen, II', in Die Gegenwart, vol. 59, no. 21, 25th May 1901, mentioned p. 335 Franz Imhof, ‘Berliner Kustausstellungen - Die Ausstellung der "Sezession" II', in Die Kunst-Halle, 5th June 1901, mentioned p. 268 ‘Kunstchronik', in Die Kunst-Halle, no. 18, 20th June 1901, p. 287 Zeitschrift für Bildende Kunst, 1901, illustrated p. 205 Der Kunstwart, 1st November 1902, illustrated after p. 128 Aemil Fendler, ‘Max Liebermann', in Illustrirte Zeitung, no. 3105, 1st January 1903, illustrated p. 32 Georg Hermann, ‘Max Liebermann', in Martin Buber (ed.), Jüdische Künstler, Berlin, 1903, illustrated p. 131 Der Kunstwart, 1909-10, vol. 22, illustrated n.p. Gustav Pauli, Max Liebermann. Des Meisters Gemälde, Stuttgart, 1911, illustrated p. 132 Karl Scheffler, Max Liebermann, Munich, 1912, no. 39, illustrated Erich Hancke, Max Liebermann. Sein Leben und seine Werke, Berlin, 1914, p. 539 Alfred Gold, ‘Max Liebermann - Berlin', in Deutsche Kunst und Dekoration, 1916-17, illustrated p. 43 Gustav Pauli, Max Liebermann. Des Meisters Gemälde, Berlin, 1922, illustrated p. 51 Wilhelm F. Burr, Max Liebermann, Berlin, 1925, illustrated pl. 11 Arthur Galliner, Max Liebermann, der Künstler und der Führer, Frankfurt, 1927, illustrated Hans Rosenhagen, Max Liebermann, Bielefeld & Leipzig, 1927, illustrated p. 59 André Levinson, ‘Les Quatre-Vingts Ans de Max Liebermann', in La Renaissance de l'Art Français, January 1928, illustrated p. 14 Hans Ostwald, Das Liebermann-Buch, Berlin, 1930, no. 194, illustrated p. 375 Karl Scheffler, Max Liebermann, Wiesbaden, 1953, no. 39, illustrated Richard Hamann & Jost Hermand, Impressionismus, Berlin, 1960, illustrated p. 72 Matthias Eberle, Max Liebermann, Werkverzeichnis der Gemälde und Ölstudien, Munich, 1996, vol. II, no. 1901/14, illustrated in color p. 571 Bernhard Echte & Walter Feilchenfeldt, Kunstsalon Cassirer. Die Ausstellungen 1898-1905, Wädenswil, 2011, vol. II, no. 25, illustrated p. 77

Provenance:

(probably) Kunsthandel Paul Cassirer, Berlin David Friedmann, Berlin & Breslau (probably acquired from the above by 1905 and until at least 1939) Sale: Auktionshaus Hermann Petschel, Breslau, July 1942 Dr Cornelius Müller Hofstede of the Schlesisches Museum der Bildenden Künste, Breslau (acquired from the above and stored with the Schlesisches Museum under inventory no. 28321) Dr Hildebrand Gurlitt, Dresden and later Düsseldorf (acquired from the above in August or September 1942) Confiscated by the Monuments, Fine Art and Archives section from Dr Gurlitt’s storage at Schloss Aschbach, Bamberg and transferred to the Wiesbaden Central Collecting Point on 6th December 1945 (inv. no. WIE 1930) Returned to Dr Hildebrand Gurlitt on 15th December 1950 By descent to Helene Gurlitt, Düsseldorf in 1960 By descent to their son Cornelius Gurlitt, Munich Restituted by the Estate of Cornelius Gurlitt to the heirs of David Friedmann in 2015

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