LOT DETAILS
Materials:
acrylic on canvas
Size Notes:
91.4 x 121.9
Description:
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Markings:
signed for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction
Exhibited:
New York, Frank Bernarducci Gallery, Martin Wong: The Sign Language Paintings, November-December 1988.Normal, Illinois State University Galleries, Sweet Oblivion: The Urban Landscape of Martin Wong, January-February 1998.Berlin, Galerie Daniel Buchholz, Martin Wong: Works 1980-1998, August-September 2010.Andover, Massachusetts, Addison Gallery of American Art, Loisaida: New York's Lower East Side in the 80's, April-July 2014.New York, The Bronx Museum of the Arts and Columbus, Wexner Center for the Arts, Ohio State University, Martin Wong: Human Instamatic, November 2015-August 2016, pp. 37 and 53 (illustrated).
Literature:
Y. Ramrez, La Vida: The Life and Writings of Miguel Piero,?? Sweet Oblivion: The Urban Landscape of Martin Wong, New York, 1998, p. 35.B. Schwabsky, A City of Bricks and Ciphers,?? Art in America 86, no. 9, September 1998, pp.101102.D. Kuspit, Martin Wong at the New Museum of Contemporary Art,?? Art New England 20, no. 1, December 1998/January 1999, p. 13.M. Wong, Martin Wong Meets Martin Wong,?? Giant Robot, 1999, p. 49.R.G. Mann, Wong, Martin,?? glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture, 2007, p. 5.J. Ault, H. P. Knes, D. Vo and M. Wong, I.M.U.U.R.2: Julie Ault, Heinz Peter Knes, Danh Vo, Martin Wong, London, 2013, p.5.P. Schjeldahl, City Scenes: A Martin Wong Retrospective,?? The New Yorker, November 2015.Y. Cheung, The Fantastic Observations of Martin Wong
Provenance:
Galerie Daniel Buchholz, GermanyWeb Gallery NYC, New YorkAcquired from the above by the present owner