Engobed terracotta, enamel, holes and graffiti
buchi e graffiti
firmato e datato57
This work is in generally good overall condition. There is a threadlike crazing visible upon close inspection from the first upper black hole to the edge of the plate. There are a few losses by the projecting part of the graffito visible in the catalogue illustration. There are very minor traces of dirt along the upper and right border. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Galerie Bonnier, Ginevra ;
Jiyugakoka Gallery, Tokyo (acquistato nel 1977);
Ivi acquistato dall’attuale proprietario nel 1981
Opera registrata presso la Fondazione Lucio Fontana, Milano, con il n. 892/5; <br>; <br>Si prega di notare che per questo lotto vi è un ulteriore dazio doganale pari al 6,5% per gli acquirenti italiani.