LOT DETAILS

Materials:

tempera on poplar panel, gold ground, with a shaped top and integral frame

Size Notes:

overall dimensions: 72 x 35.2 cm.

Description:

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Literature:

W. Angelelli and A.G. De Marchi,. Pittura dal Duecento al primo Cinquecento nelle fotografie di Girolamo Bombelli , Milan 1991, p. 260, cat. no. 550, reproduced;. S. Weppelmann,. Spinello Aretino und die toskanische Malerei des 14. Jahrhunderts, Florence 2003, p. 263, cat. no. 62, reproduced;. S. Weppelmann, 'Compianto. su Cristo morto', in D. Parenti and A. Tartuferi (eds), . Lorenzo Monaco, Dalla tradizione giottesca al Rinascimento , exh. cat., Florence 2006, p. 142, under cat. no. 14;. S. Weppelmann, 'Florentine Painting around 1400. A question of standard?', in F. Pasut and J. Tripps (eds), . Da Giotto a Botticelli, Pittura fiorentina tra Gotico e Rinascimento , Florence 2008, p. 142, note 27;. S. Weppelmann,. Spinello Aretino e la pittura del Trecento in Toscana , Florence 2011, p. 272, cat. no. 62, reproduced.; );. Leo N. Malmedé, Cologne, by 1963, from whom acquired in August 1963 by. Prof. Dr. Alfred Stange (1894-1968), Tutzing and Munich;. Thence by descent until anonymously sold, Hamburg, Rother Baum, 24 February 2018, lot 1000. .; );. Leo N. Malmedé, Cologne, by 1963, from whom acquired in August 1963 by. Prof. Dr. Alfred Stange (1894-1968), Tutzing and Munich;. Thence by descent until anonymously sold, Hamburg, Rother Baum, 24 February 2018, lot 1000

Provenance:

Milan, either in a private collection or with a dealer between 1910-69 (as per Weppelmann 2011, see