LOT DETAILS

Materials:

giclee and silkscreen with gold and silver leaf on paper

Size Notes:

each; overall: 191.1 x 210.8 cm.

Edition:

4 of 16

Description:

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Markings:

signed Gonkar in Tibetan script; dated 2009 (lower left of lower right panel); titled Shambala in modern times; numbered 4/16 (lower right of lower left panel); stamped The Sweet Tea House (on the reverse)

Exhibited:

The original work was made for 53rd Venice Biennale in 2009. Gicle prints are in the collection of New York Public Library and the Museum of Fine Arts, Boston. Haverford, USA, Haverford College, Cantor Fitzgerald Gallery, Mapping Identity, 19 March 30 April 2010. Wellington, New Zealand, City Gallery, Roundabout, 25 September 2010 16 January 2011 (the original work). Brisbane, Australia, TheUniversity of Queensland Art Museum, Three Realms, 25 February 29 April 2012 (the original work). Boston, USA, Museum of Fine Arts, Seeking Shambhala, 6 March 21 October 2012

Literature:

Dinwiddie, Donald, Contours of Identity, in Art Asia Pacific, May/June 2009(the original work illustrated, cover & p. 139,). Thomas,Nicholas; Arrowsmith, Rupert Richard;Cohn, Don J.;Mazria-Katz, Marisa;Ng, Elaine W.;Masters, HG;Thurman, Robert AF, Roundabout, ArtAsiaPacific Publishing, New York, USA, 2010 (the original work illustrated, no page number). Munter, Ulrike, Focus Asia, Insights into the Wemhoener Collection, Kerber Press, Germany, 2012 (illustrated, p. 50-55). TheUniversity of Queensland Art Museum, Three Realms, Brisbane, Australia, 2012 (the original work illustrated, p. 67)

Provenance:

Private Collection, New York, USA