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Lot Details


Untitled (Expulsion) by 
																	Fred Tomaselli

Fred Tomaselli

( American, 1956 )

Untitled (Expulsion)

PRICE SOLD

LOT DETAILS

Materials:

diptych--leaves, pills, insects, mushrooms, printed paper collage, acrylic and resin on panel

Size Notes:

overall

Markings:

signed, titled and dated 'Fred Tomaselli 2000 Untitled' (on the reverse of each panel)

Exhibited:

New York, James Cohan Gallery, Fred Tomaselli, December 2000-January 2001, pp. 5-6 and 20-22 (illustrated in color). Berlin, 2nd Berlin Biennale für Zeitgenössische Kunst, April-June 2001. Palm Beach Institute of Contemporary Art and SITE Santa Fe, Fred Tomaselli: Ten Year Survey, December 2001-May 2002, no. 32 (illustrated in color). Buffalo, Albright-Knox Art Gallery, Materials, Metaphor, Narratives: Works by Six Contemporary Artists, October 2003-January 2004. Printemps de septembre à Toulouse, Vertiges, September-October 2005, pp. 58-59 and 184 (illustrated in color). Aspen Art Museum; Saratoga Springs, Skidmore College, The Frances Young Tang Teaching Museum and Art Gallery and Brooklyn Museum, Fred Tomaselli, August 2009-January 2011, pp. 93, 184-185, 206-207 and 266, no. 21 (illustrated in color).

Literature:

"Fred Tomaselli," New Yorker, 8 January 2001, p. 8 (illustrated in color). H. Cotter, "Art in Review: Fred Tomaselli," New York Times, January 19, 2001. N. Wakefield, "Fred Tomaselli: He Brings Ideas to Life," Interview , January 2001 (illustrated in color). F. Richard, "Fred Tomaselli: James Cohan Gallery/Christine Burgin," Artforum, vol. 39, no. 6, February 2001. p. 150 (illustrated). D. Grant, "Tomaselli on the Rise," Artnews, vol. 100, no. 3, March 2001, p. 86. Fred Tomaselli: Monsters of Paradise, exh. cat., Edinburgh, 2004, pp. 13-14, fig. 1 (illustrated in color). J. Robertson and C. McDaniel, eds., Themes of Contemporary Art: Visual Art After 1980, Oxford and New York, 2005, pp. 200 and 204, pl. 18 (illustrated in color and on the cover). K. MacMillan, "Art in Aspen, A Feast for the Eyes and Brain," Denver Post, 16 August 2009, p. 6 E.

Provenance:

James Cohan Gallery, New York. Acquired from the above by the present owner, 2001.

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