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( French, 1600 - 1682 )
A pastoral landscape with a coastal view in the background, a building with a tower to the left, herdsman and cattle
Materials:
Pen and brown ink, brown and gray wash over traces of black chalk
Size Notes:
175 by 251 mm; 6 ? by 9 ? in
Edition:
The marine coast in the distance, opening to the sky, creates a particularly successful sense of space and overall pictorial balance, with contrasts of tone and variety of penwork that would originally have been more evident than they are today. The drawing is mostly executed in extremely fine and dense strokes of the pen, and stylistically must date to the 1640s. The pastoral subject also fits well with Claude's work of these years. The careful execution and very balanced composition could indicate that this drawing was made for its own sake and not necessarily in preparation for a painting. As Marcel Roethlisberger observed, 'The forties were for him a Carracesque decade, in which his compositions moved away from the narrative, romantic pastorals towards a more heroic concept of landscape.'1
Description:
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Markings:
bears signature in pen and ink lower right: Claudio Gellee
Paesaggio Con Satiro e Ninfa
A classical landscape with figures resting on a bridge
Marina con velieri
Paesaggio con figure e tempietto di Tivoli
La Danse sous les Arbres (B. 35; Manocci 19) 1637
An extensive landscape with shepherds and shepherdesses dancing 1634
Paesaggio Con Satiro E Ninfa
An Evening Landscape With Mercury And Battus
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( Italian , b. 1933 - d. 1963 )
( Italian , b. 1697 - d. 1768 )
(Flemish , b. 1564 - d. 1637)
( French , b. 1796 - d. 1875 )
( Spanish , b. 1881 - d. 1973 )
( American , b. 1928 - d. 1987 )
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