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Artist Profile Details

Carl Plansky

(American , b. 1951 )

EDUCATION    
   
1970-71; 1974-76 New York Studio School
1969-70    Maryland Institute College of Art
       
TEACHING    
   
2000    Maryland Institute College of Art, Professor of Painting
          Art Institute of Chicago, Visiting Artist
1999    Maryland Institute College of Art, Professor of Painting
          Oxbow School of Art, Art Institute of Chicago, Professor of Painting
          Hoffberger School, Maryland Institute College of Art, Visiting Critic/Lecturer
1998    Vermont Studio Center, Johnson, VT, Guest Teacher/ Lecturer
          Bennington College, Visiting Teacher
          Smith College, Visiting Teacher
          Mid-American College Art Association, Lexington, KY
1997    Smith College, Visiting Teacher
          Hoffberger School, Maryland Institute College of Art, Visiting Teacher/Lecturer
1996    Bard College, Visiting Lecturer
          Oxbow School of Art, Art Institute of Chicago, Professor of Painting
          Hoffberger School, Maryland Institute College of Art, Visiting Critic/Lecturer
          Northwestern University, Evanston, IL, Visiting Lecturer
          Art Institute of Chicago, Artist in Residence
1995    Harvard University, Cambridge, MA, Visiting Teacher/ Lecturer
          Smith College, Northampton, MA, Visiting Teacher/Lecturer/Critic
          Hoffberger School, Maryland Institute College of Art, Baltimore,
       Visiting Teacher
          Bennington College, Vermont, Visiting Teacher
1994    Fashion Institute of Technology, New York, Visiting Lecturer
          State University of New York at Purchase, Visiting Lecturer
          Bard College, Annandale-on-Hudson, NY, Visiting Lecturer
          Oxbow School of Art, Art Institute of Chicago, Professor of Painting
1993    School of the Art Institute of Chicago, Lecturer
          Parsons School of Art Graduate Program, New York, Visiting Critic
          The Cooper Union, New York, Visiting Critic
1992    Hobart & William Smith College, Geneva, NY, Visiting Lecturer
          Oxbow School of Art, Art Institute of Chicago, Professor of Painting
          The Cooper Union, New York, Visiting Critic
1990    Guild Hall, East Hampton, NY, Lecturer
      
SELECTED SOLO EXHIBITIONS
   
2006    Nature of Perception, Fischbach Gallery, New York
2004    Oil Paintings, Fischbach Gallery, New York
2002    Still Life, Fischbach Gallery, New York
2001    Carspecken- Scott Gallery, Wilmington, DE
2000    Cooperstown Art Association, Cooperstown, NY
          Bangs Street Gallery, Provincetown, MA
1999    The Gallery at R & F, Kingston, NY
          Carspecken- Scott Gallery, Wilmington, DE
          Bangs Street Gallery, Provincetown, MA
1998    Hobart and William Smith College, Geneva, NY
          Recent Works, Perugia, Italy
1996    Hobart and William Smith College, Geneva, NY
          Carspecken- Scott Gallery, Wilmington, DE
1994    55 Mercer Gallery, New York
          Lyons-Wier Gallery, Chicago, IL
1993    55 Mercer Gallery, New York
          Carspecken- Scott Gallery, Wilmington, DE
1992    55 Mercer Gallery, New York
          Hobart and William Smith College, Geneva, NY
1990    Carspecken- Scott Gallery, Wilmington, DE
1989    Carspecken- Scott Gallery, Wilmington, DE
1988    Carspecken- Scott Gallery, Wilmington, DE
1981    Postgraduate Center of Psychoanalytical Research, New York
1980    Westbeth Gallery, New York
       
SELECTED GROUP EXHIBITIONS
       
2006    Apres Nous, Le Deluge, Francis M. Naumann, New York, NY
2004    The Still Life, Fischbach Gallery, New York, NY
2003    Hothouse: Contemporary Floras, New York Academy of Science, New York, NY
          Peace, Sideshow, Brooklyn, NY
2001    New York Painters, Cooperstown Art Association, Cooperstown, NY
          Artists on the Edge, Yeshiva University Museum, New York, NY
2000    Artists on the Edge, University of New Mexico, Santa Fe
1998    Five New York Artists, Cooperstown Art Association, Cooperstown, NY
1997    Landscapes, The Painting Center, New York
          Nude Figuration, The Painting Center, New York
1996    Artworks, Basilico Fine Arts, New York
1995    Thirty Years of Drawing, New York Studio School, New York
          Renee Fatouhi, New York
1994    Landscapes, curated by Michael Toledo, Apex Gallery, New York
          Pages, 450 Broadway, New York
          American Abstraction: A New Decade, Southern Alleghenies Museum of Art,     Loretto, PA
          Art Discover ’94, Cooperstown Art Association/Smithy Pioneer Gallery,     Cooperstown, NY
          Matter Matters, Bard College, Annandale-on Hudson, NY, curated by Ellen K.     Levy
1993    Preview Show, The Painting Center, New York
          Figuration ’93, curated by Susanna Coffey, 55 Mercer Gallery, New York
          Abstracted Reality, Tibor de Nagy Gallery, New York
          Thick and Thin, Islip Arts Museum, Islip, NY
          Alumni Show, New York Studio School, New York
1992    Painters, Trenkmann Gallery, New York
          Large Drawing, 450 Broadway Gallery, New York
          Trees, Geoffrey Young Gallery, Great Barrington, MA
          Sazama Gallery, Chicago, IL
          Alumni Show, New York Studio School, New York
1991    Carspecken-Scott Gallery, Wilmington, DE
1990    Alumni Show, New York Studio School, New York
1989    Positive I.D., Northern Alleghenies Museum, PA
          Carenga-Foxley-Leach Gallery, Washington, DC
1987    Jack Tilton Gallery, New York
          Wilkov- Goldfeder Gallery, New York
          Jack Tilton Gallery, New York
1986    50 at 50 West, 50 West Gallery, New York
          Jack Tilton Gallery, New York
          Lever- Meyerson Gallery, New York
1984    Lucky Strike Gallery, New York
  
SELECTED BIBLIOGRAPHY

Appearances (Spring 1992), reproductions (three pages)
Artists in New York, NHK Television, Tokyo, 1991.
Art listings review, New York Times, January 19, 2003.
Cooper, Michael. Á Mix Master: His Art Lies in Paint Itself,” The New York Times, July 25, 1995.
Creevy, Bill. The Oil Painting Book. New York: Watson-Guptil, 1994.
Enders, Alexandra. “Carl Plansky,” Art and Antiques, November 1990.
Maronate, Jan. “Réseaux de partage des saviors techniques et pratiques artistiques: la conception et l’appropriation par les artistes des mediums synthétiques en Amériques du Nord,” Techne, no. 8     (1998).
Perl, Jed. "The Beauty Trap," The New Republic, November 2004
Perl, Jed. Eyewitness: Reports from an Art World in Crisis. New York: Basic Books, 2000.
Perl, Jed. “Earth,” The New Republic, November 14, 1994.
Perl, Jed. “Breakthrough, Idyll, Icon, Allegory,” The New Criterion, May 1992.
Perl, Jed. ‘The Art Nobody Knows,” The New Republic, October 19, 1992.
Savage, Tom. “Carl Plansky,” Cover, Magazine, April 1993.
Solomon, Deborah. “Ingredients for Success: Group Pigments and Linseed Oil,” The New York Times,     September 23, 1998.

SELECTED PUBLIC COLLECTIONS

Arkansas Arts Center, Little Rock
Asheville Art Museum, Asheville, NC
Bank of America, San Francisco, CA
Bankers Trust, New York
Belk Gallery, Western Carolina University, Cullowhee, NC
The Butler Museum, Youngstown, OH
Commerce Bancshares, Inc., Kansas City, MO
Hercules Corporation, Wilmington, DE
Hobart and William Smith College, Geneva, NY
Northern Alleghenies Museum, PA
Wilmington National Bank, Wilmington, DE

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