LOT DETAILS

Materials:

silkscreen prints on paper

Size Notes:

each

Edition:

20 of 20 + 3 AP

Description:

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Exhibited:

London, ICA,. Gavin Jantjes , 1976; Geneva, Ecumenical Centre World Council of Churches, 1976; Lund, University of Lund, 1976; Høvikodden, Henie Onstad Art Centre, 1976 (another example). Gronningen, Provinciehuis,. Gavin Jantjes , 1977 (another example). Kassel, Documenta 6: 100 days,. Joseph Beuys Free International University , 1977 (another example). Stockholm, Kulturhuset,. Gavin Jantjes , 1978; Gothenburg, Gothenburg Museum, 1978 (another example). Berlin, Kunstnerhaus Bethanien, . Gavin Jantjes , 1979 (another example). London, Edward Totah Gallery, . Gavin Jantjes , 1980 (another example). Paris, Fondation Nationale des Arts Graphiques et Plastiques, . Art contre/against Apartheid , 1983; Lund, Sweden, Konsthall Lund, 1983; Porin, Finland, Porin Taidemuseo, 1983; Lahti, Finland, Lahden Taidemuseo, 1983; Tampere, Finland, Tampere Modern Art Museum, 1983; Copenhagen, Udstillingsbyningen, 1984; Aalborg, Denmark, Nordjyllands Kunstmuseum, 1984; Paris, Roissy Charles de Gaulle, 1984; Amsterdam, NieuweKerk, 1985; Madrid, Círculo de Bellas Artes, 1985; Saint Brieuc, Centre Culturel de Saint Brieuc, 1985; Marseille, Maison de l'Etranger, 1985; Bremen, He Ubersee Museum, 10 February-23 March 1986; Dijon, S.N.E.S., 4-28 April 1986; Thessaloniki, Foire Internationale de Salonique, May 1986; Athens, Kostis Palamas, June 1986; Pointe-à-Pitre, 8 November-2 December 1986; Martinique, Fort de France, 20 December 1986-12 January 1987; Le Havre, Musée des Beaux-Arts André Malraux, 5 June-15 July 1987; New York City, New York, United Nations Headquarters, 1987; Bethlehem, Pennsylvania, Lehigh University, 1 September-11 October 1987; Japan, 1988-1990 (another example). London, Hayward Gallery, . Shocks to the System , 12 March-24 April 1991; Sunderland, Northern Centre for Contemporary Art, 30 April-1 June 1991; Birmingham, Ikon Gallery, 10 August-22 September 1991; Eastbourne, Towner Art Gallery, 11 January-23 February 1992; Plymouth, City Museum & Art Gallery, 29 February-31 May 1992; Ayr, Maclaurin Art Gallery, 13 June-28 July 1992 (another example). Cape Town, Houses of Parliament, Inauguration of First Democratic government, 1994 (another example). Johannesburg, Warren Siebrits Contemporary Art, . States of Emergence , 1994, illustrated in color in the catalogue (another example), . Munich, Museum Vila Stuck, . The Short Century: independence and liberation movements in Africa 1945-1994 , 15 February-22 April 2001, illustrated in color in the catalogue p. 110-113; Berlin, Martin Gropius-Bau, 18 May-22 July 2001; Chicago, Illinois, Museum of Modern Art, 8 September-30 December 2001; New York City, New York, PS1 Contemporary Art Centre MOMA, 10 February-5 May 2002 (another example). Cape Town, South African National Gallery, . Beyond the Material: Conceptual Art from Iziko S A National Gallery's Permanent Collection , 2002 (another example). Washington DC, Washington, Smithsonian Museum of African Art, . Inscribing Meaning: Writing and Graphic Systems in African Art , 2007 (another example). Barcelona, Centre de Cultura Contemporània de Barcelona,. Apartheid The South African Mirror, 26 September 2007-13 January 2008, illustrated in color in the catalogue p. 135; Valencia, Centre de Cultura Contemporània de Bancaja, April-June 2008 (another example). Cape Town, South African National Gallery, . Strengths and Convictions: the life and times of South African Nobel Peace Prize laureates Albert Luthuli, Desmond Tutu, FW DeKlerk and Nelson Mandela , 2009, illustrated in color in the catalogue p. 151-153; Oslo, The Nobel Peace Center, 2009 (another example). Barcelona, Museu Picasso, . Economia: Picasso, 2012 (another example). New York City, New York, Centre for Photography,. Rise and fall of apartheid: photography and the bureaucracy of everyday life , 2013, illustrated in color in the catalogue p. 308-315; Munich, Haus der Kunst, 2013 (another example). Rio de Janeiro, Museu de Arte Moderna do Rio de Janeiro, . artevida , 2014 (another example). London, The British Museum, . South Africa: the art of a nation , 2016, illustrated in color in the catalogue p. 192-193 (another example). Eindhoven, Van Abbemuseum,. The 1980's: Todays Beginning , 2016 (another example). Stockholm, Bonniers Konsthall, . Images of War , 2017 (another example). Nottingham, Nottingham Contemporary UK, . The Place is Here , 2017; London, South London Gallery, 2017 (another example). Brussels, Gallery Bozar Centre for Fine Arts, . Resist , 2018 (another example). London, Camberwell School of Art, . A History of Drawing , 2018 (another example

Literature:

Jean Kennedy, . New Currents Ancient Rivers , Washington D.C. , 1992, illustrated p. 181. Christine Mullen Kreamer (ed.), . Inscribing Meaning: writing and graphic systems in African art , Washington D.C., 2007, illustrated in color p. 220-222. Sue Williamson, . South African Art now , New York, 2009, illustrated in color p. 40-41. Gavin Jantjes, Maria Pissarra (eds.), . Visual Century: South African Art in Context 1907-2007, Johannesburg, 2010. Shannen L. Hill, . The Biko's ghost: the iconography of black consciousness , Minneapolis, Minnesota, 2015, illustrated in color p. 15. David Bindman, Suzanne Preston Blier, Henry Louis Gates, Jr., . The image of the Black in African and Asian art , Cambridge, Massachusetts, 2017, illustrated in color p. 202-203. Carlos Capelan, Gavin Jantjes,. The Complexities of Exile - Self-Marginalisation, Exclusion & Inclusion , Art Africa. , 30 June 2017, illustrated in color . Allison Young, . Visualising Apartheid abroad: Gavin Jantjes's Screenprints of the 1970s , Art Journal, Winter 2017, illustrated in color p. 15