LOT DETAILS

Materials:

oil on oak panel

Measurements:

18.50 in. (47.00 cm.) (height) by 14.45 in. (36.70 cm.) (width)

Literature:

Probably F. Kugler, Kleine Schriften und Studien zur Kunstgeschichte, vol. II, Stuttgart 1854, p. 21;. G. Parthey, Deutscher Bildersaal. Verzeichnis.., vol. II, 1864, p. 231, no. 5;. M.J. Friedländer, 'Versteigerung der Sammlung von Clavé-Bouhaben,' in Repertorium für Kunstwissenschaft, vol. 17, 1894, p. 328;. I.Q van Regteren-Altena, 'Aertgen van Leyden', in Oud Holland, vol 56, 1939, pp. 79, 229, no. 20a;. E. Trautscholdt, 'Zur Vor- und Nachgeschichte einer Kölner Gemäldeversteigerung 1894,' in Mouseion. Studien aus Kunst und Geschichte für Otto H. F ö rster, Cologne 1960, pp. 304-05, n. 48; . J. Bruyn, 'Twee St Antonius paneelen en en anderen verken van Aertgen van Leyden,' in Nederlands Kunsthistorisch Jaarboek, vol. II, 1960, pp. 95-97;. H. Kier & F.G. Zehnder, Lust und Verlust, vol. 2, Corpus-Band zu Kölner Gemäldesammlungen 1800-1860, Cologne 1998, pp. 244-45, no. 66 (as in the style of Lucas van Leyden);. J.P. Filedt Kok, in C. Vogelaar et al., Lucas van Leyden en de Renaissance, exhibition catalogue, Leiden 2011, p. 325, no. 118, reproduced (as workshop of Cornelis Engebrechtsz., attributed to Aertgen van Leyden).

Provenance:

Probably Johann Baptist Anton Franz Ciolina-Zanoli, Cologne, by 1841, as Patenir (noted by Kugler under Literature);. By inheritance to Franzisca von Clavé-Bauhaben, Cologne:. Her sale, Cologne, Heberle, 4-5 June 1894, lot 66, for 315 Marks;. Her sale and others, Cologne, Heberle, 14-15 June 1895, lot 142; . Anonymous sale, Cologne, Heberle, 14-15 May 1902, lot 90 (reproduced);. Private collection, Berlin, 1935;. Dr Heinrich Bischoff, Berlin, by 2000;. Thence by descent.