LOT DETAILS

Materials:

Oil on canvas

Measurements:

Condition:

Please contact the Impressionist & Modern department at 212-606-7360 for a condition report prepared by a third-party conservator. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Exhibited:

Paris, Galerie Pigalle, ; Exposition Cézanne, 1839-1906, ; Quelques souvenirs, 1930, n.n. ;
London, Storran Gallery, ; Paraphrases, 1939, no. 51 ;
Edinburgh, Royal Scottish Academy & London, Tate Gallery, ; Paintings by Cézanne, 1954, no. 1 (dated 1864);
London, Tate Gallery, ; The Romantic Movement, 1959, no. 52 (dated 1870-73);
London, Royal Academy of Arts, Paris, Musée d'Orsay & Washington D.C., National Gallery of Art, ; Cézanne, The Early Years, 1859-1872, 1988-89, no. 5, illustrated in the catalogue;
Boston, Museum of Fine Arts, ; Prized Possessions, 1992, no. 22, illustrated in the catalogue;
Paris, Musée du Louvre, Paris, ; Copier Créer: de Turner à Picasso, 300 oeuvres inspirées par les les maîtres du Louvre, 1993, no. 169, illustrated in the catalogue

Literature:

Joachim Gasquet, ; Cézanne, Paris, 1921, illustrated pl. 96 (titled; La Barque de Dante) ;
Julius Meier-Graefe, ; Cézanne und sein Kreis, Munich, 1922, illustrated p. 93 (dated ; circa 1868 and titled ; Copie nach der Dantebarke);
Joachim Gasquet, ; Cézanne, Paris, 1926, illustrated pl. 29 (titled ; La Barque de Dante) ;
Nina Iavorskaia, ; Cézanne, Moscow, 1935, illustrated pl. 5;
Lionello Venturi, ; Cézanne, son art—son oeuvre, vol. II, Paris, 1936, no. 125, illustrated n.p.;
Sara Lichtenstein, "Cézanne's Copies and Variants after Delacroix," in ; Apollo, vol. CI, London, 1975, no. 156, illustrated n.p.;
Pascal Bonafoux, ; Cézanne: portrait, Paris, 1995, illustrated p. 207;
John Rewald, ; The Paintings of Paul Cézanne: A ; Catalogue Raisonné, vol. I, London, 1996, no. 172, mentioned p. 138; vol. II, no. 172, illustrated p. 59;
Walter Feilchenfeldt, Jayne Warman & David Nash, ; The Paintings of Paul Cézanne: An Online Catalogue Raisonné, no. 615, https://www.cezannecatalogue.com/catalogue/entry.php?id=179 (accessed on September 21, 2019; )
; Cézanne Metamorphoses (exhibition catalogue), Karlsruhe, Kunsthalle Karlsruhe & traveling, 2017, illustrated n.p. 

Provenance:

Joachim Gasquet, Aix-en-Provence; <br>Xavier de Magallon, Aix-en-Provence; <br>Alfred Gold, Paris; <br>Eugène Blot, Paris (and sold: Hôtel Drouot, Paris, April 23, 1937, lot 52); <br>Storran Gallery, London; <br> Lord&nbsp;&amp; Lady Clark, Saltwood Castle, Kent (acquired by February 1939)&nbsp;; <br> Private Collection, England; <br>Adrian Ward-Jackson, Ltd., London (acquired on May 1, 1987); <br>E.V. Thaw, New York&nbsp;; <br>Acquired from the above by 1988&nbsp;