Argentine draughtsman and printmaker. He studied under the Argentine painter Demetrio Urruch?a (1902-78) and later at the Instituto Superior de Artes of the Universidad Nacional in Tucum?n, under his father, Pompeyo Audivert (1900-77), and Lino Eneas Spilimbergo, who encouraged him to take up printmaking. After working in a realist style from 1954 to 1960 and in a linear style from 1960 to 1965 he began to produce technically accomplished drawings and prints in an idiom strongly influenced by Surrealism. Architectural supports such as plinths, pedestals, staircases and doors were among his favoured images, dominated by an atmosphere of anguish.